I work at the intersection of art and fundamental research. My practice draws on epistemology, the philosophy of science, and the history of knowledge, examining the intellectual frameworks that underpin research and innovation. From these frameworks, I explore how emerging scientific and technological developments transform how we perceive, inhabit, and shape the world. Central to my practice is performance in virtual reality as a research-driven method. Through worldbuilding, “AI” model training, and custom hardware and software, I translate these questions into spatial and embodied forms. My sculptures, installations, and performances unfold as hybrids of physical and virtual worlds, experienced in the exhibition space as symbiotic environments.

On the cryptic titles

My work titles function as a notation system — coordinates pointing toward conceptual or technological conditions. Like scientific symbols such as c or ∞, each title encodes a proposition rather than an explanation.