My work examines how knowledge is constructed and how these constructions shape the technological and cultural futures we inhabit. Drawing on physics, epistemology, and virtual media, I develop hybrid artistic systems that merge performance, sound, material structures, and emerging technologies. Central to my practice is performance in virtual reality as a research-driven method. Rather than using VR as a representational tool, I employ it to interrogate how bodies, perception, and experience are modeled within technological systems, and which cultural assumptions become embedded in their design. Through worldbuilding, AI model training, and custom software and hardware, my work operates on conditions: how meaning is produced, how authority is structured, and how alternative configurations emerge. Technology is not neutral; it is a cultural construct open to negotiation, responsibility, and transformation.

~ On the cryptic titles
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My work titles function as a notation system — coordinates pointing toward conceptual or technological conditions. Like scientific constants such as c or ∞, each title encodes a proposition rather than an explanation.